Tag: author tips

Crawling out of the Writing Hole

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I’m currently working on ANNIHILATION, Book 2 in my new SOUL SEEKER Series. While writing this book during the Covid-19 pandemic, I find myself being taken to dark places and struggling daily to get out, which oddly mimics the stark reality of my story. I can’t help wondering if other authors believe that the negative energy in our current situation has altered their storylines, or dampened their creativity the same way it affects visual artists. As an art gallery owner, I remember how 9/11 turned everything dark for months on end…and varying shades of grey for artists. Can the same be said for published authors and struggling writers? If so, how is it possible to capture the happiness we once knew and reflect this in our work when everything seems so dire?

I found the answer while researching positive responses to depressive influences and would love to share this with anyone who might be interested. 

The first step towards conquering negativity and quelling your chatterbox mind is to recognize the types of thoughts you experience as they occur. I found seven types of negative thinking that affect writers, although I’m sure there are more. How many of these do you recognize?

1. Mind-reading:
Mind-reading thoughts impact you the most when self-esteem is low. You feel 100% certain that you know what someone else thinks about your work and this can lead to the loss of confidence. This in turn can lead to you talking yourself out of doing things because you believe you ‘know for sure’ what the outcome will be.

“I can tell that they don’t like my writing. I know she thinks I’m not good enough. They didn’t like my work last time so they’re not going to like it this time.”

2. Generalizing and filtering-out:
When you have negative thoughts, sometimes you latch on to one small thing that might have gone wrong – a struggling writing session or unwelcome feedback – and you blow this up out of all proportion. At the same time you also filter out anything positive that might have happened, reaching an unrealistic, negative conclusion.

“They didn’t like paragraph three so this must mean that the entire premise of my work is flawed. I kept getting distracted in my last writing session – I’ll never finish if this keeps happening. I’m beginning to think I should give up.”

3. Polarizing:
This form of negative thinking often occurs when writers compare their work to others. Either you think your work is not good enough or conclude that if you can’t write like someone else, then you’ll never achieve any success.

“If I don’t get my work completed on the date I specified, then I might as well throw in the towel. If I don’t get the recognition I seek or win awards for my work, then I’ll never make it in this industry.”

4. Calamitous:
When you experience catastrophic thoughts about your writing, you become anxious and unfocused. This can lead to negative spirals in your work habits and overall wellbeing.

“What if I never make it as a writer? I’ll never achieve my goals. Everything is wrong with the idea I came up with – it’s never going to improve or be accepted.”

5. Comparing yourself:
Writers often compare their current progress – or lack thereof – with another time in their lives when they were able to accomplish more or found the writing process easier. You become overly self-critical and nostalgic for this productive time rather than simply accepting that your situation has changed.

“Writing used to be so easy – why am I finding it so hard now? I should be far further along than I am – what am I doing wrong?” 

6. Blaming:
This happens when you unjustifiably hold someone, some thing or some situation responsible for the problems you may be experiencing with your writing. Rather than taking responsibility for your own actions, you feel like you’re the victim of a situation and this can be damaging to the project you’re working on or any future writings.

“I would have never done that if they hadn’t told me to. The feedback I received ruined my life and ended my writing career.”

7. Blinkering:
Sometimes you’re unwilling to listen to constructive criticism because you feel you are right and the listener is wrong. This type of thinking can lead to resentment and stalemating your work.

“I can’t see what they don’t like about my writing, there must be something wrong with them. I don’t know why they can’t see what I’m trying to explain. They’re just not paying attention or understanding my storyline.”

It’s not unusual to have negative thoughts about writing ideas, critiques and unsolicited responses, but it’s only by recognizing them for what they are that you can find a positive way to move forward. Push aside overly self-critical patterns and you’ll find yourself taking the first step towards overcoming them. Before you know it, you’ll find something uplifting, hopeful and rewarding in the stories you create.

What Makes a Good Story Great?

kaylinmcfarrenLeave a comment

While in the midst of creating a new novel, I recently found myself struggling with the purpose of my story. Was I writing it to educate readers, to entertain them, or to transport them to another place during a difficult time in our lives? Perhaps, in a strange way, I was attempting to do all three without even being aware of it–without concentrating on the basic steps required for good storytelling. And what, say you, was the final result? A longer writing and editing process that no author wants to endure.

So, what’s the fastest way to create a memorable, page-turning story? Here is my simple answer. Years ago, while researching the secret to successful writing, I came to the conclusion that the key ingredient to creating great stories is constant practice. While I maintain this habit on a regular basis, I’ve come to the conclusion that the nature and unanticipated behavior of my characters often dictates the eventual outcome of their stories in any given situation. To further clarify, I have absolutely no control over my endings while I’m writing them. But that doesn’t mean they can’t be entertaining or well written.

As readers, we seem to be satisfied when stories achieve certain effects, such as moving us emotionally, inspiring us, and encouraging us to think outside the box. With the advent and explosion of self-published books, there are now virtually millions of books of all genres on the market. So, as a writer, how is it possible to make your book stand out or be different? How do you keep readers coming back time and again, searching for your latest novel or upcoming release. Well, after reviewing stacks of notes from RWA workshops and various writing conferences, I believe I’ve discovered some great suggestions for turning a good story into an unforgettable, compelling one.

Are you ready??

#1) Make the dramatic content of your story strong. Example: ‘The neighbor’s bacon and eggs breakfast’ is not a story idea that is going to have readers clawing for a copy of your book. It is also highly unlikely that this subject matter would sustain an entire novel. But if the bacon is made from human flesh, the story scenario has greater dramatic potential as demonstrated by Thomas Harris’ popular Hannibal novels. Once you’ve discovered the resulting actions and the eventual outcome that develops out of your primary story scenario, you have a real, compelling story idea.

What are the key elements of a great, dramatic story?
Conflict, Tension, Surprise, Extraordinary Characters, Flawed Behavior, Controversy, Mystery and, of course, Suspense. The list is commonly known, however, building a story with these components can be challenging when your goal is to create an intriguing, page-turning bestseller. 

#2. How do I keep a reader’s attention? Try varying your prose’s rhythm and structure. Writing instructors often advise creative writing classes to write smart, punchier sentences. Short sentences are great for increasing pace and for helping to make scenes more exciting. Yet this could become monotonous for both the writer and reader, if a whole book is written this way. Changing the length of a sentence adds interest and can intensify drama, especially in a narrative story. 

Something as simple as this can be intriguing. ‘He waited all day. It was cold and growing dark by the minute. Would anyone come?’

Exploring the rhythm of your writing consciously can help you write better sentences. Carefully crafted, creative prose makes a book better in any genre.

#3. What about characters? It’s important to create believable, memorable characters that readers either love or hate. Why do we find some characters more memorable than others? Because they have something that makes them stand out. It might be a unique voice, a persona or expression, a goal or motivation, their distinctive appearance or behavior, a flaw or weakness or perhaps a hidden strength.

Authors such as Charles Dickens is famous for creating larger-than-life, memorable characters. So what does each character in your book crave or long to accomplish? Why do they desire this and what do they have to do in order to gain it?

#4. Each part of a story needs to be effective in order to make it great. The best openings create fascinating introductions to the authors’ setting, characters and plot scenarios. Often times, the middle of a story sags or lacks plot movement. But a brilliant middle, might introduce new characters who help or hinder your primary character. This is good place to add subplots that supplement your main story arc, to reveal why your characters have certain goals, to indicate what’s at stake or to reveal the effect outside pressures are causing that hinders your main character’s success.

#5. Most important of all, make every line of dialogue count. When characters speak, we gain a sense of their personalities, viewpoints, vulnerabilities, quirks, and attitude about any given subject. Having two or more characters sit at a table talking rarely moves the story forward unless the conversation has a purpose such as deepening or developing connections between them. In a great story, characters get to the point as quickly and realistically as possible. There are very few pleasantries and even fewer filler words because dialogue serves the plot, while holding onto the reader’s attention.

#6. Who is the unseen and most influential character in a story? Believe it or not, it’s the immersive setting. It’s not just a house with shape and color. It’s about details–about a place with personality. Is it old and dank, shutting out the light of the world, or is it light, charming and elegant? Besides giving a setting personality, it’s important to make it fascinating, inviting, challenging or just plain frightening.

Also, keep in mind that old neighborhoods change with passing years. Characters might feel different about a place from their childhood. You know…lack a personal connection they thought they would have after revisiting it. If you write about a real, historical or contemporary place in particular, you need to know the landmarks, the demographics, the underprivileged areas and the rich ones. Do the required research to understand what it is celebrated or nefarious for, as readers will recognize inaccuracies and will often point them out.

#7. What is the conflict in your story? When we read the word conflict, we often think of harsh words, violence or physical fights between adversaries. But there are many kinds of conflict that can be used to improve a story. Internal conflicts create tension, leaving readers wondering if the characters they’re rooting for are capable of overcoming emotional roadblocks or the hurdles in their lives. The same characters might also grapple with their environments or struggle with a natural phenomena. 

#8. How do I leave my reader wanting more? The best tip of all is to deliver a knockout ending, as it leaves a lingering impression. The final lines will either entice a reader to seek out other novels you’ve written or result in recommendations of your work to other readers. 

So what exactly goes into a great ending? The best answer is the resolution of the primary conflict. But it’s also important not to make the story’s closure so tidy that it’s predictable or a cop-out by ending the story as quickly as possible or with for a happily ever after resolution when it’s not needed. Sometimes, leaving a reader guessing is the best ending of all. Just make sure that any dramatic tension is held off until the end. This can be done by keeping your readers guessing or not revealing the identity of a villain until the very end. However, if you use a surprise plot twist, remember to keep the surprise believable and the last line as powerful and remarkable as the first line in your story.

– Kaylin McFarren, Stories that touch the soul – http://www.kaylinmcfarren.com