Throughout history, in every form of media, the most integral and explored theme is the epic battle between good and evil. There are examples of this theme in classic literature, children’s fairy tales, poems, mythology, art, music, superhero comic books, pop-culture movies and Disney classics. Whether it be Robin Hood defending the poor from the injustices of the Sheriff of Nottingham or Obi-Wan Kenobi sacrificing himself at the hands of Darth Vader, stories and legends have greatly reinforced the concept of diametrically opposed forces of good and evil where good eventually prevails.
Evil takes many forms and runs the gamut from strong-willed characters who forcefully overpower their enemies to the more subtle, sly characters who use persuasion and manipulation to get their way. Be it for greed, lust, power, vengeance, etc., the evil will gain advantage for their desires at the expense and sometimes attempted total destruction of good. Good on the other hand, plays the under dog and is suppressed and abused for the early part of these dramas. We ascribe our own personal desires upon these good characters by sympathizing and relating to their struggle. Victimization is an important component to the good versus evil struggle, which provides justification to standing up against the evil force with sometimes brutal results. There is a sense of justice when evil characters “get what they have coming to them” at the hands of the Dirty Harry’s and Harry Potter’s.
These dichotomies are not isolated to fictional stories but spill over into the political, social, economic, theological, ideological and international struggles of everyday life. Each struggle has polarized sides of oppressors and victimized overcomers, who fill the roles in this epic battle. The lines of morality and ethics are obfuscated to compartmentalize people along a partisan divide. This can be achieved through use of a variety of influences that affect the behavior of individuals or whole groups of people. Some influences are inherently negative while others are neutral and situationally dependent as to whether they are positive and negative on society. All of these influences together determine the totality of our life on Earth by aligning people into these two dichotomies of good and evil.
But is it really so easy to categorize people when, according to scripture, we were given “free will” to make our own choices? Some of the decisions we make affect the lives of others and might be interrupted as good, while others are labeled bad, but what about the people we tend to align ourselves with? Are they responsible for influencing our decision making process? Actually, there really is no choice in the matter. You, and you alone, are accountable for your actions with very few exceptions, such as actual mental incapacity. Every action you take is because you choose to take that action. It may be a series of choices that get you there, but it still comes back to you. So be wise about the decisions you make and consider the consequences of your actions before you make them. The battle-line between good and evil runs through the heart of every man, woman and child.
While in the midst of creating a new novel, I recently found myself struggling with the purpose of my story. Was I writing it to educate readers, to entertain them, or to transport them to another place during a difficult time in our lives? Perhaps, in a strange way, I was attempting to do all three without even being aware of it–without concentrating on the basic steps required for good storytelling. And what, say you, was the final result? A longer writing and editing process that no author wants to endure.
So, what’s the fastest way to create a memorable, page-turning story? Here is my simple answer. Years ago, while researching the secret to successful writing, I came to the conclusion that the key ingredient to creating great stories is constant practice. While I maintain this habit on a regular basis, I’ve come to the conclusion that the nature and unanticipated behavior of my characters often dictates the eventual outcome of their stories in any given situation. To further clarify, I have absolutely no control over my endings while I’m writing them. But that doesn’t mean they can’t be entertaining or well written.
As readers, we seem to be satisfied when stories achieve certain effects, such as moving us emotionally, inspiring us, and encouraging us to think outside the box. With the advent and explosion of self-published books, there are now virtually millions of books of all genres on the market. So, as a writer, how is it possible to make your book stand out or be different? How do you keep readers coming back time and again, searching for your latest novel or upcoming release. Well, after reviewing stacks of notes from RWA workshops and various writing conferences, I believe I’ve discovered some great suggestions for turning a good story into an unforgettable, compelling one.
Are you ready??
#1) Make the dramatic content of your story strong. Example: ‘The neighbor’s bacon and eggs breakfast’ is not a story idea that is going to have readers clawing for a copy of your book. It is also highly unlikely that this subject matter would sustain an entire novel. But if the bacon is made from human flesh, the story scenario has greater dramatic potential as demonstrated by Thomas Harris’ popular Hannibal novels. Once you’ve discovered the resulting actions and the eventual outcome that develops out of your primary story scenario, you have a real, compelling story idea.
What are the key elements of a great, dramatic story? Conflict, Tension, Surprise, Extraordinary Characters, Flawed Behavior, Controversy, Mystery and, of course, Suspense. The list is commonly known, however, building a story with these components can be challenging when your goal is to create an intriguing, page-turning bestseller.
#2. How do I keep a reader’s attention? Try varying your prose’s rhythm and structure. Writing instructors often advise creative writing classes to write smart, punchier sentences. Short sentences are great for increasing pace and for helping to make scenes more exciting. Yet this could become monotonous for both the writer and reader, if a whole book is written this way. Changing the length of a sentence adds interest and can intensify drama, especially in a narrative story.
Something as simple as this can be intriguing. ‘He waited all day. It was cold and growing dark by the minute. Would anyone come?’
Exploring the rhythm of your writing consciously can help you write better sentences. Carefully crafted, creative prose makes a book better in any genre.
#3. What about characters? It’s important to create believable, memorable characters that readers either love or hate. Why do we find some characters more memorable than others? Because they have something that makes them stand out. It might be a unique voice, a persona or expression, a goal or motivation, their distinctive appearance or behavior, a flaw or weakness or perhaps a hidden strength.
Authors such as Charles Dickens is famous for creating larger-than-life, memorable characters. So what does each character in your book crave or long to accomplish? Why do they desire this and what do they have to do in order to gain it?
#4. Each part of a story needs to be effective in order to make it great. The best openings create fascinating introductions to the authors’ setting, characters and plot scenarios. Often times, the middle of a story sags or lacks plot movement. But a brilliant middle, might introduce new characters who help or hinder your primary character. This is good place to add subplots that supplement your main story arc, to reveal why your characters have certain goals, to indicate what’s at stake or to reveal the effect outside pressures are causing that hinders your main character’s success.
#5. Most important of all, make every line of dialogue count. When characters speak, we gain a sense of their personalities, viewpoints, vulnerabilities, quirks, and attitude about any given subject. Having two or more characters sit at a table talking rarely moves the story forward unless the conversation has a purpose such as deepening or developing connections between them. In a great story, characters get to the point as quickly and realistically as possible. There are very few pleasantries and even fewer filler words because dialogue serves the plot, while holding onto the reader’s attention.
#6. Who is the unseen and most influential character in a story? Believe it or not, it’s the immersive setting. It’s not just a house with shape and color. It’s about details–about a place with personality. Is it old and dank, shutting out the light of the world, or is it light, charming and elegant? Besides giving a setting personality, it’s important to make it fascinating, inviting, challenging or just plain frightening.
Also, keep in mind that old neighborhoods change with passing years. Characters might feel different about a place from their childhood. You know…lack a personal connection they thought they would have after revisiting it. If you write about a real, historical or contemporary place in particular, you need to know the landmarks, the demographics, the underprivileged areas and the rich ones. Do the required research to understand what it is celebrated or nefarious for, as readers will recognize inaccuracies and will often point them out.
#7. What is the conflict in your story? When we read the word conflict, we often think of harsh words, violence or physical fights between adversaries. But there are many kinds of conflict that can be used to improve a story. Internal conflicts create tension, leaving readers wondering if the characters they’re rooting for are capable of overcoming emotional roadblocks or the hurdles in their lives. The same characters might also grapple with their environments or struggle with a natural phenomena.
#8. How do I leave my reader wanting more? The best tip of all is to deliver a knockout ending, as it leaves a lingering impression. The final lines will either entice a reader to seek out other novels you’ve written or result in recommendations of your work to other readers.
So what exactly goes into a great ending? The best answer is the resolution of the primary conflict. But it’s also important not to make the story’s closure so tidy that it’s predictable or a cop-out by ending the story as quickly as possible or with for a happily ever after resolution when it’s not needed. Sometimes, leaving a reader guessing is the best ending of all. Just make sure that any dramatic tension is held off until the end. This can be done by keeping your readers guessing or not revealing the identity of a villain until the very end. However, if you use a surprise plot twist, remember to keep the surprise believable and the last line as powerful and remarkable as the first line in your story.
For anyone unfamiliar with the award-winning Threads book series, let me take a moment to bring you up to speed on this action-packed collection, now available on Amazon.com.
Book One – Severed Threads: Expert divers Rachel Lyons and Chase Cohen reunite and risk their lives to find treasure hidden under the sea to save the ones they value most.
Book Two – Buried Threads: Rachel and Chase accept a contract to recover missing samurai swords, which are cursed with a time-ticking prophecy of the complete annihilation of Japan.
Book Three – Banished Threads: Rachel and Chase travel to England to secure her uncle’s blessing for their wedding, however, a murder and an art gallery robbery delay their nuptials and challenges the strength of their relationship.
Book Four – Twisted Threads: Devon Lyons (Rachel’s brother) becomes a pawn in a dangerous game of revenge when a female Japanese assassin boards a cruise ship traveling to the Caribbean on a mission to find and destroy.
When it comes to writing a novel, a well-thought-out plot is an essential element for effective storytelling. Something has to move – to change from bad to good, worst to better, in order to satisfy your reader. This change, from Point A to Point B, can be shown in the following ways:
A physical event (Point A = a psycho killer is picking off everyone in town. Point B = police arrest the killer).
A decision (Point A = a character wants to practice law like his father. Point B = the same character decides to be a ballet dancer).
A change in a relationship (Point A = a boy and girl hate each other. Point B = they fall in love)
A change in a person (Point A = a character is a selfish jerk. Point B = they realize the benefit of donating their time.)
A change in the reader’s understanding of a situation. (Point A = a character appears to be a murderer. Point B = the reader realizes the character is actually innocent and made a false confession.)
For authors who find plotting on foam core board the best way to organize your chapters and subplots before developing them, I applaud the endless hours you’ve invested but have no interest in making notes on sticky pads in various colors and later attempting to decipher my writing. Plus the resulting roadmap could prove incredibly daunting, especially when multiple points of view are involved, in addition to unexpected twists and turns in the plot.
The beat sheet is also a great tool for charting every scene, however, after attempting this method for a new book, I soon realized that I’d spent endless hours on the building blocks for my plot which lacked dialogue or narrative flair. As soon as I began writing, I found myself detouring from my storyline all together and rewriting my sheet to stay current with my story’s evolution.
Ultimately, the solution to organizing my characters, directing their activities, and advancing my plot came with an introduction to Pinterest. Although authors often use boards on this site for compiling ideas, collecting quotes, and categorizing writing techniques, I found it an excellent way to dissect my entire story and to “visually” plot each chapter, as well as each book, with the use of character images, settings, and prop photos that describe the corresponding scene. When a board is completed, it also serves as the perfect tool for creating a book trailer and developing an advertising layout.
A good fiction book needs to be filled with action. The good guys are after the bad guys, the doctor needs to find a cure. From the beginning to the end, the reader can’t bear to stop reading because the action just keeps coming.
The best answer goes something like this: “Write the book you’ve always wanted to read.” Now that might sound easy enough, until you sit down at a computer for twenty minutes wondering where the hell to begin. After attending a zillion workshops and taking notes that will probably never be read again, I can honestly say the formula for creating a powerful story is relatively simple, provided you include a few key ingredients. You see, in fiction, the writer’s job is to entertain, to draw an emotional response from the reader. The reader is often looking for suspense, action, and to go on a journey they have not been on before, one they will not easily forget. Readers want to get drawn into and experience the story for themselves. They want characters they can relate to and form a personal connection with. But most importantly, they want a good book. One that leaves them anxiously awaiting each turn of the page. With this in mind, here are the elements I consider essential to writing great fiction.
Well-developed characters: The characters in the book must be well developed and believable. The characters should remind you of your teacher, your lawyer, your doctor, or maybe even your best friend. Even though they are fictional, they come alive for us in the story.
Action: A good fiction book needs to be filled with action. The good guys are after the bad guys, the doctor needs to find a cure. From the beginning to the end, the reader can’t bear to stop reading because the action just keeps coming.
Great Plot: The writer keeps the reader guessing right to the end by using surprising, realistic plot twists. Just when we think we know “who done it” – bam – a new twist creeps up and a story involves more. As we near the end we wonder if there is time to solve it? Will it have a happy ending? Most readers long for a good ending to their story as they grow fond of the characters in the book and want to see the best happen to them.
Enjoyable to Read: Readers want to have fun. They want to escape into this book and for the moment forget the day’s events and challenging issues that face them. They want a personal connection with the characters and also they want a story that inspires them to make a difference.
Keep Your Audience in Mind: When writing fiction it’s important to remember to keep the audience in mind. These are the people who will be picking up your book and buying it and also hopefully recommending it to a friend or family member. For your particular book, what do they want to read? What will keep them on a Friday night turning each page to see what happens next. It’s different with each book, but once you capture your audience you have the makings for a success.
Writers write about what they know. They can bring the sounds, colors, and images of their world to life in their story. Fiction is where writers get the opportunity to bring you into that world and keep you there until, “the end.”
A romantic adventure set in the exciting world of salvage diving, treasure hunters, and modern-day pirates, Severed Threads is an action-packed, crowd-pleasing page-turner.
Four years ago, Rachel Lyons’ father died in a mysterious diving accident, ending her love affair with the sea, as well as her love for her current flame, Chase Cohen, who was there when Sam Lyons died. Chase disappeared from Rachel’s life shortly thereafter, with no explanation. Since then, she has buried herself in a new corporate job and new life devoid of treasure hunting.
However, things are starting to get complicated. Rachel’s brother is in deep trouble with some dangerous people, and one of her father’s close friends needs a priceless Chinese artifact to end a deadly curse. In order to save the ones she loves, Rachel must team up with Chase to find the Heart of the Dragon and other promised riches. Their shaky partnership is thrown off balance by secrets, hidden motives, and unmistakable romantic tension.
McFarren expertly blends Chase and Rachel’s personal story with an exciting treasure hunting narrative punctuated by detailed diving knowledge. One moment Chase and Rachel are fending off sharks and discovering ancient treasure; in the next, their sizzling chemistry lights the pages on fire.
The plot develops quickly, while action, intrigue, sensual romance, and surprising twists and turns abound. The author’s descriptions of an underwater world are vivid and breathtaking, and a supernatural edge colors the search for legendary treasure. The main characters, Chase and Rachel, are wonderfully flawed and are surrounded by interesting and well-developed secondary characters that add depth to the story.
Severed Threads is an exciting and engaging read, simply perfect for fans of romantic suspense.
A lone figure stood in the estuary lookout nestled in the trees above the North Sea on the Holderness Coast, waiting with restless anticipation as Gwen Gallagher approached the cliff’s edge. A quick adjustment to the night- vision binoculars allowed the watcher a closer view of the twenty-eight-year-old secretary as she savored the last autumn sunset she would ever see. The crisp, cool air picked up speed, leaving her long black hair sailing like a ghostly pirate’s flag behind her. It lifted the hem of her black skirt slightly, exposing her white, shapely legs and black suede booties to the wintry elements. Her blue eyes sparkled as they swept across the landscape, appraising the beauty surrounding them. She raised her chin toward the darkening sky and smiled, obviously believing the note she had received, inviting her here, had come from her married lover.
As Gwen moved even closer to the edge, the watcher took a deep breath. All that remained between this ludicrous woman and the vividly blue ocean was two meters of solid rock. From the lookout vantage point, there was barely enough light to confirm that she was staring down at the tossing sands and churning water, mesmerized by the early evening breeze. All it would take was one push, and she would feel the rush of wind through her hair and see the crystal-blue sea one last time as she slammed headlong into the jagged rocks.
Interested in reading my latest release and providing your honest to goodness review? Much-anticipated Banished Threads– the third book in my Threads series, featuring treasure hunters and adventure seekers Rachel Lyons and Chase Cohen, will be coming to Amazon, B&N and independent book stores this spring (Creative Edge Publishing LLC, March 20, 2016). If you’d like to receive an advance copy, please let me know and I’ll try my best to accommodate the hosts of review sites willing to spread the word.
Book Summary: While vacationing at the Cumberforge Manor in Bellwood, England, Rachel and Chase attend an elegant dinner party hosted by her uncle, Paul Lyons, and his aristocratic wife, Sara. Before the evening ends, a priceless collection of Morris Graves’ paintings are stolen from her uncle’s popular gallery, throwing all suspicion onto his wife’s troubled granddaughter Sloan, and turning Rachel and Chase into crime-stopping sleuths. Determined to clear Sloan’s name and, in the process, win Paul’s favor, Chase scours the countryside looking for answers. In his absence, the police accuse Rachel’s uncle of an unsolved murder and secrets surrounding her grandmother’s death and the deaths of Sara’s former husbands turn his wife into the most likely suspect.
With the true villains hell-bent on destroying Paul and his family, solving both crimes while ensuring her uncle’s freedom not only endangers Rachel’s life but that of her unborn child. Will Chase save them before the kidnappers enact their revenge or will the ultimate price be paid, as predicted by a vagabond fortuneteller?
Read the book to find to out! Send your request for Banished Threads to Kaylin@kaylinmcfaren.com.
“A psychologically thrilling and adventurous story that includes surprising twists and turns sure to keep its readers at the edge of their seats. The novel will delight readers of all ages with interesting characters, clever plotlines, and an engaging combination of romance, villainy, and the supernatural. Highly recommended!” The Columbia Review.
SEVERED THREADS – A NOVEL
REVIEWED BY: EDITORIAL BOARD The Editorial Board of The Columbia Review accepts submissions from authors, publishers, directors, agents, producers and fans. http://www.TheColumbiaReview.com
“Severed Threads” by Kaylin McFarren is the first installment in romantic suspense series. It provides an engaging mix of mystery, action, and drama that readers are sure to enjoy.
The story’s protagonist is Rachel Lyons, who is devastated after her father dies from a terrible diving accident. Rachel copes as best she can by choosing a life path that seems safe and comfortable. Her path soon becomes not so safe and comfortable, however, when she is drawn very reluctantly into an endeavor to recover a priceless relic from a sunken Chinese merchant ship. Because a former love interest named Chase Cohen is involved in the adventure, Rachel strongly desires not to be involved:
“Word had it, Chase Cohen, the renowned treasure hunter, was more determined than ever to leave his mark. He’d rifled ocean plots stretching from Spain to Key West, selling off remnants of other people’s lives. She had hoped their paths would never cross again.”
Despite her adamant hope to stay away, however, Rachel finds herself pulled into the situation as a result of yet another traumatic event. A drug-dealing gangster kidnaps Rachel’s brother and holds him ransom for $2 million. After learning about this horrific situation, Rachel determines that she has no choice but to become involved in the recovery of the ship’s relic…because it also holds the Heart of the Dragon, which she must steal to save her brother. The whole process forces Rachel to relive the circumstances of her father’s death, an experience that she finds incredibly challenging:
“She pulled the covers under her chin and longed to be lulled to sleep by the ship’s rocking motion—to be transported to a peaceful place. However, whether her nightmares were triggered by being aboard Stargazer or in the proximity of the place where he had met his untimely death, they had grown in intensity. They had become so horrifying and real with each passing night that she got little or no sleep at all. She closed her eyes and concentrated on the sound in the room.”
Through this adventure, Rachel must overcome her greatest challenges and biggest fears and ends up learning more than she realized about herself and her father’s death along the way.
“Severed Threads” offers a psychologically thrilling and adventurous story that includes surprising twists and turns sure to keep its readers at the edge of their seats. The novel will delight readers of all ages with interesting characters, clever plotlines, and an engaging combination of romance, villainy, and the supernatural. Highly recommended!
The saga of Chase Cohen and Rachel Lyons continues in book three of the Thread Series! The inimitable treasure-hunting business partners sail to England in the hope of asking Paul Lyons, Rachel’s uncle, for his blessing. Rachel, on the other hand, is not only dealing with morning sickness atop thoughts of her soon-approaching marriage, she is also riddled with a flurry of “what-ifs.” Chase’s relationship with Paul is rocky at best. Yet that pales in comparison to the serious family issues—more like skeletons in the closet—that are at stake in the Lyons household, especially when Sloan, Paul’s step-granddaughter, and Rachel are kidnapped.
Mistress storyteller and award-winning author Kaylin McFarren spins another action-packed adventure shrouded in mystery in her latest sequel. McFarren opens with a supposed tryst that morphs into an unexplained death. Grabbing her audience’s full attention, McFarren quickly shifts gears to the emotional and sexual tension brewing between Chase and Rachel, her two featured characters. Critical to McFarren’s writing style is how she slyly weaves in an array of colorfully complex characters—many of which function as foils for the purpose of building her dynamic cast—while undergirding her story with themes of the lovers’ anxiety and their unfolding relationship. Equally critical is the inclusion of a handful of supportive characters that play distinctive roles in the development of both the storyline and series.
Lightly punctuating her third person narrative with omniscient viewpoints, McFarren provides readers with windows that take snapshots into her character’s thought processes and inner turmoil, especially when she places them within life-threatening scenes. Although the bulk of her story is grippingly fast-paced, McFarren keeps readers engaged by throwing in a variety of sexual scenes that range from steamy to downright disturbing, as well as off-the-wall unexpected moments. Great “unexpected” examples include Chase inadvertently overhearing a sexually skewed hypnotic session and artistic representatives attending a posh dinner with bags on their heads, just to name a few.
Amid chapters replete with alternating character scenes, plenty of un-clichéd scenes, and romance—all set within suspenseful environs, McFarren’s tale would be incomplete without the infusion of a bit of history. Inspired by her love of the arts as well as owning and operating her own art gallery, McFarren aptly sprinkles in elements of art, giving particular attention to the works of the eccentric abstract painter Morris Graves. Also of interest is the way she portrays aspects of London, such as the infamous Soho district.
As with Severed Threads and Buried Threads, book three closes on a cliffhanger—one that indubitably will keep readers on edge anticipating its sequel. Well written and absolutely enthralling, Banished Threads is a wonderful addition to McFarren’s award-winning series!